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How to Put Colors in Your Photograph

   
< P > W o u l d n t i t b e n i c e t o s e e y o u r b l a c k a n d w h i t e p h o t o s i n f u l l c o l o r ? L e a r n i n g t o c r e a t e a n d e d i t o l d p h o t o s i s f a i r l y e a s y a n d v e r y w o r t h w h i l e . D i g i t a l l y r e s t o r e d p h o t o s c a n b e u s e d t o m a k e d i g i t a l s c r a p b o o k s , p o s t e d t o W e b s i t e s , s h a r e d t h r o u g h e m a i l , a n d p r i n t e d f o r g i f t - g i v i n g o r d i s p l a y . < / P > < P > T o a c h i e v e t h i s e f f e c t , w e w i l l n e e d t o c o l o r i z e u s i n g P a i n t S h o p P r o . A c c o r d i n g t o B i l l B r e w e r , c o l o r i z i n g i s a f e a t u r e b u i l t i n t o P S P t h a t k e e p s t h e l u m i n a n c e v a l u e s ( t h e b r i g h t a n d d a r k p a r t s t h a t m a k e u p t h e r e c o g n i z a b l e i m a g e ) a n d c o l o r s t h e i m a g e w i t h o n e c o l o r . T h e i m a g e t o b e c o l o r i z e d n e e d s t o h a v e a c o l o r d e p t h o f 1 6 . 7 m i l l i o n c o l o r s , a n d i t c a n b e i n f u l l c o l o r t o s t a r t w i t h ( r e d u c t i o n t o g r a y s c a l e i s n o t r e q u i r e d b e f o r e c o l o r i z i n g ) . U s i n g t h a t c o m m a n d b r i n g s u p a d i a l o g b o x w h e r e y o u h a v e c o n t r o l o v e r t h e h u e a n d s a t u r a t i o n , w i t h a p r e v i e w . I s u g g e s t y o u D O N ' T u s e t h a t m e n u i t e m t o c o l o r i z e i m a g e s . I n s t e a d u s e t h e m o r e p o w e r f u l H S L a d j u s t m e n t s a c c e s s e d w i t h t h e C o l o r s & g t ; A d j u s t & g t ; H u e / S a t u r a t i o n / L i g h t n e s s . . . c o m m a n d . T h a t w a y , y o u h a v e c o m p l e t e c o n t r o l o v e r t h e h u e / s a t u r a t i o n / l i g h t n e s s , a n d t h e c o l o r p r e v i e w i s m u c h b e t t e r t h a n w h a t y o u g e t w i t h C o l o r i z e . < / P > < P > T o s t a r t o f f , g e t y o u r p h o t o r e a d y . B e g i n b y s c a n n i n g y o u r b l a c k a n d w h i t e p h o t o i n t o y o u r P C . M a k e s u r e t h a t y o u r p i c t u r e i s s t r a i g h t a n d i f n o t , u s e P a i n t S h o p P r o s S t r a i g h t e n t o o l t o u n c r o o k t h e i m a g e . N e x t t h e n w o u l d b e r u n n i n g t h e O n e S t e p P h o t o F i x b y c l i c k i n g t h e E n h a n c e P h o t o b u t t o n i n t h e P h o t o t o o l b a r a t o p t h e s c r e e n a n d c h o o s e O n e S t e p P h o t o F i x . T r y t o c l e a n u p w h a t e v e r d i r t o r s c r a t c h t h a t y o u m a y s e e i n t h e p i c t u r e . < / P > < P > N o w , m o v i n g o n t o t h e n e x t p a r t . W o r k i n g i n l a y e r s . C h o o s e t h e L a y e r s , D u p l i c a t e t a b t o m a k e a d u p l i c a t e o f t h e i m a g e y o u w a n t t o c o l o r i z e . W e c a n n o w m a k e c o l o r c h a n g e s t o t h e t o p l a y e r w i t h o u t a f f e c t i n g t h e o r i g i n a l i m a g e u n d e r n e a t h , l e t t i n g u s a d j u s t t h e i n t e n s i t y o f t h e c o l o r i z a t i o n b y p l a y i n g w i t h t h e l a y e r ' s o p a c i t y . < / P > < P > N o w f o r t h e f i n a l p a r t , y o u m a y c h o o s e t o u s e e i t h e r t h e F r e e h a n d S e l e c t i o n t o l l i n S m a r t E d g e m o d e o r y o u m a y o p t t o u s e t h e M a g i c W a n d . S e t F e a t h e r t o a b o u t 1 p i x e l , a n d s e l e c t o n e o f t h e f a c e s . O n c e d o n e , c l i c k o n t h e F l o o d F i l l t o o l a n d s e t t h e B l e n d M o d e t o C o l o r i n t h e t o o l b a r a t t h e t o p o f t h e s c r e e n . F o r a t y p i c a l C a u c a s i a n s k i n t o n e , s e t t h e R e d , G r e e n , a n d B l u e l e v e l s t o a b o u t 2 1 5 , 1 9 0 , a n d 1 5 0 , r e s p e c t i v e l y , t h e n c l i c k O K . N o w c l i c k F l o o d F i l l t o c o l o r i z e t h e s e l e c t e d f a c e . Y o u c a n r e p e a t t h i s p r o c e s s f o r a l l o f t h e s k i n i n t h e i m a g e . < / P > < P > T h e n s e l e c t t h e c l o t h i n g a n d b a c k g r o u n d a n d a d d c o l o r t o a s m u c h o r a s l i t t l e a s y o u w i s h . W h e n y o u ' r e d o n e w i t h t h e i m a g e , y o u m i g h t w a n t t o a d j u s t t h e o v e r a l l i n t e n s i t y o f t h e c o l o r i z a t i o n . T o d o t h a t , m a k e s u r e t h e L a y e r P a l e t t e i s o p e n ( i f i t i s n ' t , c h o o s e V i e w , P a l e t t e s , L a y e r s ) a n d t h e n d o u b l e - c l i c k o n t h e C o p y o f B a c k g r o u n d l a y e r - - t h i s i s t h e o n e o n t o p t h a t w e ' v e b e e n p a i n t i n g . T h e n y o u c a n u s e t h e O p a c i t y s l i d e r i n t h e l a y e r ' s d i a l o g b o x t o c h a n g e t h e c o l o r e f f e c t . W h e n y o u ' r e s a t i s f i e d , c l i c k O K t o k e e p y o u r c h a n g e s . < / P > < P > A b o v e s i m p l e i n s t r u c t i o n s f r o m D a v e J o h n s o n i s v e r y e a s y t o f o l l o w a n d i s v e r y h e l p f u l f o r t h e p a r t i c u l a r p u r p o s e . < / P >
Author: Paul Hood
 
Author Bio:
Paul Hood is a reputed author. Paul likes to write articles about this subject.
 
 
 

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